Highlights from "Slow Productivity"
By Cal Newport
The relentless overload that’s wearing us down is generated by a belief that “good” work requires increasing busyness—faster responses to email and chats, more meetings, more tasks, more hours. But when we look closer at this premise, we fail to find a firm foundation.
PSEUDO-PRODUCTIVITY The use of visible activity as the primary means of approximating actual productive effort.
I think that’s where the burnout really hurts—when you want to care about something but you’re removed from the capacity to do the thing or do it properly and give it your passion and full attention and creativity because you’re expected to do so many other things.
PRINCIPLE #1: DO FEWER THINGS Strive to reduce your obligations to the point where you can easily imagine accomplishing them with time to spare. Leverage this reduced load to more fully embrace and advance the small number of projects that matter most.
In knowledge work, when you agree to a new commitment, be it a minor task or a large project, it brings with it a certain amount of ongoing administrative overhead: back-and-forth email threads needed to gather information, for example, or meetings scheduled to synchronize with your collaborators. This overhead tax activates as soon as you take on a new responsibility.
The knowledge sector remains defined by the demands of pseudo-productivity. To the unenlightened, your commitment to do less might be received as laziness or diminished work ethic.
I recommend, at first, when considering a new project, you estimate how much time it will require and then go find that time and schedule it on your calendar. Block off the hours as you would for a meeting. If you’re unable to find enough blank spaces in your schedule in the near future to easily fit the work, then you don’t have enough time for it. Either decline the project, or cancel something else to make room. The power of this approach is that you’re dealing with the reality of your time, not a gut feeling about how busy you are at the moment.
There exists a myth that it’s hard to say no, whether to someone else or to your own ambition. The reality is that saying no isn’t so bad if you have hard evidence that it’s the only reasonable answer.
work on at most one project per day.
Once you get used to accomplishing a specific type of task at the same times on the same days, the overhead required for their execution plummets.
But systems like GTD, though helpful, were not able to really solve the issues of anxious overload that began to afflict knowledge workers like Mann in recent decades.
As she writes in her book Free Time, one of the steps she took to reconfigure her business toward a slow productivity model was to spend more money on “going pro” with useful software services, instead of, as she put it, “squeezing everything I could out of their freemium editions.”
When a new project is pushed toward you, place it in the holding-pen section of your list. There is no bound to the size of your holding tank. The active position of the list, by contrast, should be limited to three projects at most. When scheduling your time, you should focus your attention only on the projects on your active list.
The great scientists of past eras would have found our urgency to be self-defeating and frantic. They were interested in what they produced over the course of their lifetimes, not in any particular short-term stretch.
In the sixteenth century, Galileo’s professional life was more leisurely and less intense than that of the average twenty-first-century knowledge worker. Yet he still managed to change the course of human intellectual history.
PRINCIPLE #2: WORK AT A NATURAL PACE Don’t rush your most important work. Allow it instead to unfold along a sustainable timeline, with variations in intensity, in settings conducive to brilliance.
If you’re too ambitious, your intensity will remain pegged at a high level as you scramble to try to hit your targets. If you instead give yourself more than enough time to accomplish your objectives, the pace of your work can fall into a more natural groove. A simple heuristic to achieve this latter state is the following: take whatever timelines you first identify as reasonable for upcoming projects, and then double their length.
To create more reasonable workdays, I have two suggestions: first, reduce the number of tasks you schedule, and second, reduce the number of appointments on your calendar.
“one for you, one for me” strategy. Every time you add a meeting to your calendar for a given day, find an equal amount of time that day to protect.
Forgive yourself. Then ask, “What’s next?” The key to meaningful work is in the decision to keep returning to the efforts you find important. Not in getting everything right every time.
There’s something about entering a movie theater on a weekday afternoon that resets your mind. The context is so novel—“most people are at work right now!”—that it shakes you loose from your standard state of anxious reactivity. This mental transformation is cleansing and something you should seek on a regular basis.
How will I ever get this all done? A clever way to balance this stress is to pair each major work project with a corresponding rest project. The idea is simple: after putting aside time on your calendar for a major work project, schedule in the days or weeks immediately following it time to pursue something leisurely and unrelated to your work.
While it’s undoubtedly true that important projects often require temporary periods of maximum intensity, I reject the idea that it’s common for such projects to be fully completed in singular bursts of unwavering energy.
The problem is that the home is filled with the familiar, and the familiar snares our attention, destabilizing the subtle neuronal dance required to think clearly.
First, form your own personalized rituals around the work you find most important. Second, in doing so, ensure your rituals are sufficiently striking to effectively shift your mental state into something more supportive of your goals.
PRINCIPLE #3: OBSESS OVER QUALITY Obsess over the quality of what you produce, even if this means missing opportunities in the short term. Leverage the value of these results to gain more and more freedom in your efforts over the long term.
Glass argues that it’s in our desire to squelch this uneasy self-appraisal—to diminish the distance between our taste and our ability—that improvement happens. His exhortation to those just beginning their careers is to keep putting in the work, as it’s only through this deliberate effort that the gap will close.
quality tools can increase the quality of your work
If you want your mind on board with your plans to evolve your abilities, then investing in your tools is a good way to start.
Obsession requires you to get lost in your head, convinced that you can do just a little bit better given some more time. Greatness requires the ability to subsequently pull yourself out of your self-critical reverie before it’s too late.
Give yourself enough time to produce something great, but not unlimited time. Focus on creating something good enough to catch the attention of those whose taste you care about, but relieve yourself of the need to forge a masterpiece. Progress is what matters. Not perfection.
Betting on yourself need not be as dramatic as losing a record deal or walking away from an Ivy League school. Simply by placing yourself in a situation where there exists pressure to succeed, even if moderate, can provide an important accelerant in your quest for quality.
temporarily dedicating significant amounts of free time to the project in question. The stakes here are modest: If you fail to reach the quality level that you seek, the main consequence is that during a limited period you’ve lost time you could have dedicated to more rewarding (or restful) activities. But this cost is sufficiently annoying to motivate increased attention toward your efforts.
you announce your work in advance to people you know, you’ll have created expectations. If you fail to produce something notable, you’ll pay a social cost in terms of embarrassment. Not surprisingly, this, too, can act as a powerful motivator.